MOTOMAMI: Futuristic Flamenco
A year after its release, I've decided to dissect what may be one of the best pop albums from a recent artist in the past decade. MOTOMAMI is an unforgettable third release from Spanish artist Rosalia, an album that is layered with texture and finesse, its flamenco brought into a new sonic timeline, speeding past traditional familiarities. This album pushes Rosalià to a new status in her artistry, an embodiment of her consistent dedication to nurturing her sound, allowing herself to adapt her musical ability to fit into the moulds of any genre she wishes. Rosalia releases her protruding sadness heard in “El Mal Querer”, letting her vocal capability be showcased through contrasting production; creating a necessary nonchalance for her sound. She allows herself to create an album that curates an aura that compliments what it means to be a MOTOMAMI. MOTOMAMI embodies its role without fault, making just under an hour Rosalia contains the experience within a shorter time frame making s...